Night Liminal is different. Lasting a little under forty minutes, the work is a stark contrast to these intense noisescapes, signalling both a return to & a reclamation of my æsthetic roots, embracing the quietude of ambient music. For the first time, the material is gentle, soft-edged & peaceful—even relaxing. That, at least, is its first impression; but the work’s inspiration is more subtle & ambivalent than that. Night Liminal is partly inspired by the ancient monastic service of Compline, which takes place as day is ending. Both the service & its setting confront head-on the perils heralded by twilight.
Being in a sacred space at dusk is a profound & paradoxical experience, comforting yet unsettling. One is caught between light & darkness, between the vast expanse of tradition & the contemporary mystery of the moment. The night can be a dangerous & uncharted place; my hope is that this music can become an integral part of the gloaming, teasing out & resonating with both its delights & its uncertainties in a gentle act of provocation & peace.
Provocation may seem incongruous in the context of ambient music, but Night Liminal’s soft, slow-moving textures echo this; warm & melodic, sometimes dark & disquieting, they afford the listener a dual experience of rest & reflection.
Night Liminal is dedicated to the memory of Jehan Alain.